Caught In The Whirlwind
Posts tagged redemption
Top Albums of 2009
Dec 23rd
Traditionally, this is the time of year where I pick my favorite musical releases of the past 365 days (366 on leap years). This year will be no exception. And…man was this year a gigantic change from last year. Whereas 2008 was kinda slow for music, 2009 was a flood, especially the second half of the year. Quality release after Quality release just kept right on coming.
So without further delay, lets get right into it:
#1 – Transatlantic – The Whirlwind

Transatlantic - The Whirlwind
My number 1 this year is one of my most anticipated albums of all time, which is a followup to my absolute favorite album of all time (Bridge Across Forever). After spending most of the decade on hiatus after Neal Morse turned his energies to writing christian inspired music full time, The members of Transatlantic got back together and came right out swinging again with The Whirlwind.
It’s not nearly as good as Bridge Across Forever, and the sound has progressed from what it used to be, but honestly so have the members of the band. The lyrics, too, have evolved, from being simply spiritual to actually having some religious overtones. I don’t find that distracting enough to count it as a knock on the wonderfuly constructed musical content of this album.
The best parts are when the guys just seem to jam. There isn’t a band out there that has the writing chemistry that this guys do. the 77 minute title track feels cohesive, with themes introduced in the Overture coming back again and again through the song.
Transatlantic is back in busniess and I’m immensely excited to be seeing them live in April.
#2 – Dream Theater – Black Clouds & Silver Linings
If you asked me at the beginning of the year whether the upcoming Dream Theater album was going to be making my top list this year, I would have been doubtful after 2007′s Systematic Chaos fell (very) flat. After it was released though…wow. I was taken totally by surprise, often randomly saying to Wassy things like “Man, I can’t believe the new DT album is so good!”. It was my surefire number 1 until Transatlantic came out.
What we have here is a continuation of the sound of Systematic Chaos but with the missing elements of the Dream Theater sound and, more importantly, song structure added back in. John Petrucci owns this album with his solos, especially The Best Of Times. And Jordan Ruddess, prone to overplaying, reins himself in and plays for the song, not to see how many notes he can squeeze into a bar of music.
That’s not to say the album isn’t technical. It is. But it’s renewed focus on song structure and melody are what makes it work 1000x better than Systematic Chaos did. The only song that falls flat for me is Wither, which just sounds like a dated power-ballad. The Piano version is much better.
I want to specifically mention The Best Of Times which is a song written by Mike Portnoy as a tribute to his father who has recently passed away. Just hearing it for the first time gave me chills (and I even teared up towards the end). The epic guitar solo is one of the best solos I’ve ever heard. Ever. There’s so much emotion and feeling that was poured into the song and it really shows.
#3 – Muse – The Resistance
This album was a sleeper for me. Released the same day as the latest Porcupine Tree release, I expected it to get passed by as I spent most of my time with The Incident. However…that’s not how it turned out at all.
I loved it on first listen, and every listen after that caused it to grown on me even more. I find it very interesting that Muse is a mainstream band, and yet their sound (especially on this album) has so many progressive rock elements to it. They’re geniuses. They’ve managed to trick the mainstream into listening to prog!
Muse wears their influences on their sleeves on The Resistance, inspired by bands such as U2 and Queen. But instead of a straight up copying of their influences sound, they take it and add to it something that’s uniquely Muse. The United States of Eurasia is clearly Queen inspired, but it’s also very Muse like.
Also they’re not afraid to throw even classical influences into the mix, including the likes of Chopin. Not to mention the Exogenisis Symphony that closes the album. The entire thing feels like it’s Muse sticking it to the entirety of mainstream music, and they’re being embraced for it.
#4 – Long Distance Calling – Avoid The Light
This album was also a bit of a surprise for me. I’m not normally one for purely instrumental music as I feel a lot of the time the song structure isn’t interesting enough to really differentiate one song from another. But on a tip from the members of Mike Portnoy.com forums, I went and checked this band out.
What I found was quality instrumental progressive rock, with definite song structure and pacing. They understand how to build a song up from the beginning to a climax and make it interesting. Furthermore, the drumming is really good, probably my favorite part of the album.
It’s not entirely instrumental though, as there’s one song with lyrics which is also enjoyable. The vocalist sounds a lot like the guy from Katatonia, actually.
My only complaint is that it’s a very short album, but I’ll take quality over quantity any day. If you’re a fan of instrumental rock, you own it to yourself to check out these guys.
#5 – Redemption – Snowfall on Judgement Day
Redemption was one of my discoveries from 2007 after seeing them open for Dream Theater in Buffalo, NY. I’ve had my eye on them since. These guys are a progressive metal band fronted by Fate’s Warning’s Ray Alder, backed up by a quality group of players. I really like Ray’s vocals on these releases as I think this type of music fits his style more than Fate’s Warning.
Anyway, this particular release is nothing really new or pushing the boundaries of the genre or even their previous releases. What it is, though, is a rock solid progressive metal album in a genre full of dream theater wanna-be’s who are very much not putting out interesting or quality music. Redemption clearly is influenced by the giants in the Prog Metal field, but they put their own spin on it and make it their own. This album also features some excellent lyrics, another thing that’s hard to find in the Prog Metal genre.
Throw in a track featuring a Duet with James LaBrie of Dream Theater and you’ve got a great album. Don’t mistake me when I say it’s nothing new. It’s still quality material.
Other Releases
- Porcupine Tree – The Incident
A solid, if disappointing release from PT. It clicked after seeing it live, but I need to be in a certain frame of mind to really listen to it. - Epica – Design Your Universe
A little too reliant on the growling, but this is one of Epica’s strongest releases Musically yet. - 3 – Revisions
A collection of redone and re-recorded songs from 3′s past, this release is good, but not great. The new version of The Game is a bit dissapointing, but I’m really happy with the rest of the songs. - Jordan Ruddess – Notes on A Dream
Jordan records his own piano versions of several Dream Theater songs. I like his focus on the songs that pre-dated his joining the band. His versions of Another Day and Hollow Years are stellar. I love having this on in the background. - OSI – Blood
The weakest of the OSI releases. Just didn’t grab me like the other ones, but it’s got some good songs too it. I think they tried to be a little TOO heavy and that’s not where OSI shines. The best parts are the more ambient songs like Terminal and Radiologue. - Umphrey’s McGee – Mantis
Part prog, part jam band release. This group was one of my new discoveries this year. Very nice for when I’m in the right mood. Some songs lose me a bit, but the first half of the album is very good. - Riverside – Anno Domini High Definition
An album that’s a lot less dark than their previous efforts. Some good stuff here, but it doesn’t quite capture the magic of Second Life Syndrome. Feels a little too short too. - Trans-Siberian Orchestra – Night Castle
The instrumental parts are awesome. The lyrical songs are terribly, terribly generic. Lots of filler here. Somebody needs to make a TSO lyric generator. It’d be pretty easy. Just throw in lots of children, dreams and people singing “on this night” - Scale The Summit – Carving Desert Canyons
This one is good in small doses, but all of their songs sound very similar after a while.
Honorable Mention
Bigelf – Cheat The Gallows was an album that was released last year, but one which I discovered this year. Take The Beatles, Pink Floyd and a liberal dose of evil and throw them in a blender and you get Bigelf. Really cool retro sounding music with a modern twist. Go see them live for full effect…the studio recordings just don’t capture them adequately.
Albums Of The Year: 2007
Dec 4th
Well, since the end of the year is closing in and Vox hasn't done this as the question of the day yet (watch, it's going to show up tomorrow) I decided that I'd do it myself. 2007 was a pretty good year for music barring some disappointments. I'm looking at you Dream Theater. But to balance out the fact that the album I was looking forward to most was generally "meh", I made a whole lot of new musical discoveries this year. Radiohead, Epica, Riverside, Redemption, Little Atlas, just to name a few. Inspired by a thread on the mikeportnoy.com forums, I think it's time to rank my favorite albums of the year like I did last year. Except if I could do last year's again, I'd put the Frost* album on top. I don't know what I was thinking with that one. But anyway, onwards to the list.
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Porcupine Tree – Fear Of A Blank Planet
Porcupine Tree – Nil RecurringWhat can I say about Steven Wilson? He turns everything he touches to gold and this release was no exception. I'm including Nil Recurring in here too since it was originally intended to be part of the album.
Porcupine Tree continues to impress with Fear of A Blank Planet, continuing the evolution they began with In Absentia. This album sounds like Porcupine Tree, but it has a different feel from their previous works, a trait which Porcupine Tree and Steven Wilson have carried through the bands entire discography.
This release, while not quite as strong as In Absentia to me (but that's a tough thing to live up to, honestly) easily captures my top spot this year. The middle section of Anesthetize is one of the most well constructed pieces of music I've heard in quite some time.
This album was made even better by getting front row seats at the Porcupine Tree concert in Albany.
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3 – The End Is Begun
I didn't think I was going to like 3 at first. I heard they were good over at the mikeportnoy.com forums after having opened for Porcupine Tree on a previous tour leg, but my first impression wasn't very good.It was only after I decided to check them out more after hearing they were going to be opening for Porcupine Tree at the show I was going to and I'm really glad I did. 3 vaulted into one of my favorite bands and this release, and as you can see, to my number 2 spot of the year.
They've got a fairly unique sound to them (like a lot of the bands I'm into actually…) and until I saw them live, I didn't realize they had two drummers which explains some of their sound. The lead vocalist also has a very unique voice.
What's more, they're awesome live. When I saw them with Porcupine Tree…I'm having a hard time deciding if I was happier with PT's show or with 3's. I'm glad they're going to be opening for Dream Theater in the spring.
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Redemption – The Origins Of Ruin
Another band I discovered because they were opening for a band I wanted to see. Redemption opened for Dream Theater, and thus I checked them out.
I was surprised to learn that Ray Alder was their vocalist. I liked him in Fates Warning, but I think his unique vocal style really works much better in Redemption's format. And the stuff he sings is very well thought out. The lyrics on this album are some of the best I've heard all year.
Fall On You, in particular, is one of the highlights of the album lyrically. I'm glad they played that one live at the show I went to.
Speaking of their live show, it's fairly good as well. Ray Alder was spot on live, even though he had a cold. I really need to get some of their other albums if they're going to be anything like this one.
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Blackfield – Blackfield II
Hey, Stephen Wilson manages to get on the list again! Who would have thought. Well, this release shows off the versitility of the man again. Blackfield is a more pop oriented group than Porcupine Tree is, being a collaboration with Aviv Geffen. Simpler songs rule here with more lyric driven pieces. There's a few weak spots (Miss U, specifically) but overall this album is extremely solid.
The album retains a lot of Stephen Wilson signatures with a lot of vocal harmony parts thrown in. Christenings is pretty much all of the members of Porcupine Tree playing a song on the Blackfield album with Aviv added in, so it's very much a Porcupine Tree sounding song. One of my favorite tracks, along with 1,000 People and Once.
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Symphony X – Paradise Lost
Russel Allen is one of my favorite Metal vocalists out there right now. He's extremely versitle, singing soft, soulful parts as well as powerful soaring vocal lines and even more metal growling type (well, not growling as in death metal…more of a gravely type voice) often in the same song.
The only reason why this album isn't listed higher on my top 5 is because Russel Allen's usage of the more metal type vocals through the entire thing. He doesn't really let loose with the powerful soaring stuff that I like him so much for. They suit the music though, as we'll get to in a moment, but I would have preferred more variety.
Musically, though, this album doesn't disappoint. It's extremely heavy (which is why the vocals are as they are) and well constructed. There's a lot of musical references to their song The Divine Wings of Tragedy, this album being related to it in some way. Still trying to figure out what the connection is, but it's most definitely a concept album.
Symphony X is so delightfully cheesy and they know it which makes them so awesome. I really wish I was able to see them live this tour, but I'm going to have to skip the show, unfortunately.
So there you have it. My top 5 of 2007. This marks the first year where a Dream Theater album was released where it didn't get placed on the top spot. In fact, Systematic Chaos didn't even make the list which surprised me a lot. I really wanted to like the album, but I'm getting the feeling that Dream Theater is straying from their roots a bit too much, away from well constructed songs into instrumental wank-fests that do litle to add anything to the song. There's some good stuff on there. Constant Motion, Repentance, Prophets of War and The Ministry of Lost Souls are standout tracks for me, along with Forsaken to some degree, but…the lyrics this time around by John Petrucci really killed several songs for me. They do work really well live though. I'll have to give them that much.
Maybe I'm moving on and DT is moving in a different direction. We'll have to see what the next album brings. Now…where's my music for 2008??
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The Origins of Ruin
Aug 1st
Redemption, however, is a different story. I'm a casual Fates Warning fan, so I'm familiar with the vocal styling of Ray Alder. His vocals are often hit or miss to me. Sometimes he's really awesome, sometimes I feel his style is a little out of place. Redemption is the former. I think he's a perfect fit on all of these songs, which tend to lean into the heavy, progressive metal genre. There are also some more melodic sections as well.
I've had this CD in my player (or in my iPod) nonstop since Monday, and now I'm really excited that they're opening for Dream Theater on the 20th. Now the 20th just has to get here…









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