Caught In The Whirlwind
Posts tagged bigelf
Top Albums of 2009
Dec 23rd 2009
Traditionally, this is the time of year where I pick my favorite musical releases of the past 365 days (366 on leap years). This year will be no exception. And…man was this year a gigantic change from last year. Whereas 2008 was kinda slow for music, 2009 was a flood, especially the second half of the year. Quality release after Quality release just kept right on coming.
So without further delay, lets get right into it:
#1 – Transatlantic – The Whirlwind
Transatlantic - The Whirlwind
My number 1 this year is one of my most anticipated albums of all time, which is a followup to my absolute favorite album of all time (Bridge Across Forever). After spending most of the decade on hiatus after Neal Morse turned his energies to writing christian inspired music full time, The members of Transatlantic got back together and came right out swinging again with The Whirlwind.
It’s not nearly as good as Bridge Across Forever, and the sound has progressed from what it used to be, but honestly so have the members of the band. The lyrics, too, have evolved, from being simply spiritual to actually having some religious overtones. I don’t find that distracting enough to count it as a knock on the wonderfuly constructed musical content of this album.
The best parts are when the guys just seem to jam. There isn’t a band out there that has the writing chemistry that this guys do. the 77 minute title track feels cohesive, with themes introduced in the Overture coming back again and again through the song.
Transatlantic is back in busniess and I’m immensely excited to be seeing them live in April.
#2 – Dream Theater – Black Clouds & Silver Linings
Dream Theater - Black Clouds & Silver Linings
If you asked me at the beginning of the year whether the upcoming Dream Theater album was going to be making my top list this year, I would have been doubtful after 2007′s Systematic Chaos fell (very) flat. After it was released though…wow. I was taken totally by surprise, often randomly saying to Wassy things like “Man, I can’t believe the new DT album is so good!”. It was my surefire number 1 until Transatlantic came out.
What we have here is a continuation of the sound of Systematic Chaos but with the missing elements of the Dream Theater sound and, more importantly, song structure added back in. John Petrucci owns this album with his solos, especially The Best Of Times. And Jordan Ruddess, prone to overplaying, reins himself in and plays for the song, not to see how many notes he can squeeze into a bar of music.
That’s not to say the album isn’t technical. It is. But it’s renewed focus on song structure and melody are what makes it work 1000x better than Systematic Chaos did. The only song that falls flat for me is Wither, which just sounds like a dated power-ballad. The Piano version is much better.
I want to specifically mention The Best Of Times which is a song written by Mike Portnoy as a tribute to his father who has recently passed away. Just hearing it for the first time gave me chills (and I even teared up towards the end). The epic guitar solo is one of the best solos I’ve ever heard. Ever. There’s so much emotion and feeling that was poured into the song and it really shows.
#3 – Muse – The Resistance
Muse - The Resistance
This album was a sleeper for me. Released the same day as the latest Porcupine Tree release, I expected it to get passed by as I spent most of my time with The Incident. However…that’s not how it turned out at all.
I loved it on first listen, and every listen after that caused it to grown on me even more. I find it very interesting that Muse is a mainstream band, and yet their sound (especially on this album) has so many progressive rock elements to it. They’re geniuses. They’ve managed to trick the mainstream into listening to prog!
Muse wears their influences on their sleeves on The Resistance, inspired by bands such as U2 and Queen. But instead of a straight up copying of their influences sound, they take it and add to it something that’s uniquely Muse. The United States of Eurasia is clearly Queen inspired, but it’s also very Muse like.
Also they’re not afraid to throw even classical influences into the mix, including the likes of Chopin. Not to mention the Exogenisis Symphony that closes the album. The entire thing feels like it’s Muse sticking it to the entirety of mainstream music, and they’re being embraced for it.
#4 – Long Distance Calling – Avoid The Light
Long Distance Calling - Avoid The Light
This album was also a bit of a surprise for me. I’m not normally one for purely instrumental music as I feel a lot of the time the song structure isn’t interesting enough to really differentiate one song from another. But on a tip from the members of Mike Portnoy.com forums, I went and checked this band out.
What I found was quality instrumental progressive rock, with definite song structure and pacing. They understand how to build a song up from the beginning to a climax and make it interesting. Furthermore, the drumming is really good, probably my favorite part of the album.
It’s not entirely instrumental though, as there’s one song with lyrics which is also enjoyable. The vocalist sounds a lot like the guy from Katatonia, actually.
My only complaint is that it’s a very short album, but I’ll take quality over quantity any day. If you’re a fan of instrumental rock, you own it to yourself to check out these guys.
#5 – Redemption – Snowfall on Judgement Day
Redemption - Snowfall on Judgment Day
Redemption was one of my discoveries from 2007 after seeing them open for Dream Theater in Buffalo, NY. I’ve had my eye on them since. These guys are a progressive metal band fronted by Fate’s Warning’s Ray Alder, backed up by a quality group of players. I really like Ray’s vocals on these releases as I think this type of music fits his style more than Fate’s Warning.
Anyway, this particular release is nothing really new or pushing the boundaries of the genre or even their previous releases. What it is, though, is a rock solid progressive metal album in a genre full of dream theater wanna-be’s who are very much not putting out interesting or quality music. Redemption clearly is influenced by the giants in the Prog Metal field, but they put their own spin on it and make it their own. This album also features some excellent lyrics, another thing that’s hard to find in the Prog Metal genre.
Throw in a track featuring a Duet with James LaBrie of Dream Theater and you’ve got a great album. Don’t mistake me when I say it’s nothing new. It’s still quality material.
Other Releases
- Porcupine Tree – The Incident
A solid, if disappointing release from PT. It clicked after seeing it live, but I need to be in a certain frame of mind to really listen to it. - Epica – Design Your Universe
A little too reliant on the growling, but this is one of Epica’s strongest releases Musically yet. - 3 – Revisions
A collection of redone and re-recorded songs from 3′s past, this release is good, but not great. The new version of The Game is a bit dissapointing, but I’m really happy with the rest of the songs. - Jordan Ruddess – Notes on A Dream
Jordan records his own piano versions of several Dream Theater songs. I like his focus on the songs that pre-dated his joining the band. His versions of Another Day and Hollow Years are stellar. I love having this on in the background. - OSI – Blood
The weakest of the OSI releases. Just didn’t grab me like the other ones, but it’s got some good songs too it. I think they tried to be a little TOO heavy and that’s not where OSI shines. The best parts are the more ambient songs like Terminal and Radiologue. - Umphrey’s McGee – Mantis
Part prog, part jam band release. This group was one of my new discoveries this year. Very nice for when I’m in the right mood. Some songs lose me a bit, but the first half of the album is very good. - Riverside – Anno Domini High Definition
An album that’s a lot less dark than their previous efforts. Some good stuff here, but it doesn’t quite capture the magic of Second Life Syndrome. Feels a little too short too. - Trans-Siberian Orchestra – Night Castle
The instrumental parts are awesome. The lyrical songs are terribly, terribly generic. Lots of filler here. Somebody needs to make a TSO lyric generator. It’d be pretty easy. Just throw in lots of children, dreams and people singing “on this night” - Scale The Summit – Carving Desert Canyons
This one is good in small doses, but all of their songs sound very similar after a while.
Honorable Mention
Bigelf – Cheat The Gallows was an album that was released last year, but one which I discovered this year. Take The Beatles, Pink Floyd and a liberal dose of evil and throw them in a blender and you get Bigelf. Really cool retro sounding music with a modern twist. Go see them live for full effect…the studio recordings just don’t capture them adequately.
Progressive Nation 2009
Aug 5th 2009
Progressive Nation 2009 was VERY awesome. As I mentioned before Wassy and I went off to Albany to catch one of our most anticipated concerts of the year. The bands were Scale the Summit, Bigelf, Zappa Plays Zappa and, of course, Dream Theater.
We left for Albany around 3:30 and aside from one small hitch (some local construction had closed one of the lanes of a 2 lane road for 2 freaking miles why the paved it. Totally unnecessary…) we arrived at the parking garage on schedule. We grabbed some sandwiches and headed over to the venue a few blocks away.
Wassy grabbed a ridiculously overpriced t-shirt (seriously…$40 for very thin shirt?? Add $5 if you're XXL) and we settled in for the show.
First up was Scale The Summit which I liked well enough. They were a pretty dorky looking band, honestly. One of the guitarists wore his guitar so high it looked like a necklace. They had good music but it was a little same-y for doing a setlist like that. There's definitely instrumental bands that I like better. After they had their set, we decided to go see what beers they had on tap. They happened to have newcastle which was one of the ones we like (we're kinda picky about beer) and so off we went.
Bigelf started soon after we got back to our seats and man, they blew me away. I liked their studio CD but seeing them live really made the whole thing "click" for me. Very high energy show and their main vocalists is…scary looking. Complete with top hat and a coat with a long beard. I am definitely going to have to pick up more of their stuff.
Zappa Plays Zappa…eh. I had high hopes for this band as it's the sort of music I might enjoy. And sure enough the first couple songs were really good. But then it got…weird. Too weird for me. I need a little song structure in my songs. So instead I spent an hour and 15 minutes being bored.
However, about halfway through the ZPZ set, two obviously huge older Zappa fans came and sat in front of us in matching tshirts and one pair of binoculars. It should be noted at this point that we were sitting in the 9th row. Binoculars at this point seem a bit unnecessary. But use them they did. In fact they sometimes fought over them so they could watch the individual fingerings of the flute/sax player I guess. Anyway, despite being huge zappa fans and practically bouncing up and down through the entire set, they got up and left before ZPZ was finished. They confused the crap out of me…but it gave me something to watch.
After Zappa Plays Zappa, the main wait for DT arrived and, man was it worth it. They have a totally badass way of opening the show this year. Their stage setup is also really cool with a new upgraded video show and some neat stuff that Jordan does with a HDTV behind his setup that has a computer animation of him playing that's synced with the song as he's playing it.
The setlist was A Nightmare to Remember, A Rite Of Passage, Hollow Years, Erotomania, Voices, Prophets of War, The Count of Tuscany and with an encore of Metropolis pt 1. Pretty much the perfect setlist.
Wassy and I were praying that we were going to get Voices this time as it's one of our favorite Dream Theater songs and we thought we'd get it in Washington DC last year, but ended up not getting it. So the moment the first note of Erotomania was played, we went kinda crazy. My throat hurts this morning… But it was so worth it. Voices! It still feels a little like maybe I imagined it. Those were all the songs that I was expecting to hear and even the extended soloing bits in Metropolis pt 1 were pretty cool. Sometimes they can go on too long, but the band was interacting and having a lot of fun which kept things interesting.
James LaBrie was good last night, but I've heard him better. I've also heard him much worse. He hit all the right notes but had a little trouble in Metropolis which is a hard song to sing at the end of the night anyway. He was totally on in the showmanship department. Interacting with the crowd…lots of energy and it looks like he's in better physical shape than he has been in the past few tours too. I was particularly impressed by Jordan and John Petrucci during the introduction to Hollow Years where they had a really neat extended introduction solo that was just the right mix of technical and melodic stuff.
I'd put this as one of the best DT shows that I've gone to (this is my 8th DT show). I do enjoy going to concerts with Wassy as it seems like she has some sort of concert karma that makes the show extra awesome. And going with a friend who's as into it as you are is much more fun than going alone.
After the show got done, a quick walk back over to the parking garage and an easy drive out completed the evening. We ended up making an emergency stop at a McDonalds in Herkimer since we were both pretty hungry after the show and couldn't find anything good on the thruway.
All in all, a very enjoyable evening and well deserving of the anticipation
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