Archive for December, 2009

Traditionally, this is the time of year where I pick my favorite musical releases of the past 365 days (366 on leap years). This year will be no exception. And…man was this year a gigantic change from last year. Whereas 2008 was kinda slow for music, 2009 was a flood, especially the second half of the year. Quality release after Quality release just kept right on coming.

So without further delay, lets get right into it:

#1 – Transatlantic – The Whirlwind

Transatlantic - The Whirlwind

My number 1 this year is one of my most anticipated albums of all time, which is a followup to my absolute favorite album of all time (Bridge Across Forever). After spending most of the decade on hiatus after Neal Morse turned his energies to writing christian inspired music full time,  The members of Transatlantic got back together and came right out swinging again with The Whirlwind.

It’s not nearly as good as Bridge Across Forever, and the sound has progressed from what it used to be, but honestly so have the members of the band. The lyrics, too, have evolved, from being simply spiritual to actually having some religious overtones. I don’t find that distracting enough to count it as a knock on the wonderfuly constructed musical content of this album.

The best parts are when the guys just seem to jam. There isn’t a band out there that has the writing chemistry that this guys do. the 77 minute title track feels cohesive, with themes introduced in the Overture coming back again and again through the song.

Transatlantic is back in busniess and I’m immensely excited to be seeing them live in April.

#2 – Dream Theater – Black Clouds & Silver Linings

Dream Theater - Black Clouds & Silver Linings

If you asked me at the beginning of the year whether the upcoming Dream Theater album was going to be making my top list this year, I would have been doubtful after 2007′s Systematic Chaos fell (very) flat. After it was released though…wow. I was taken totally by surprise, often randomly saying to Wassy things like “Man, I can’t believe the new DT album is so good!”. It was my surefire number 1 until Transatlantic came out.

What we have here is a continuation of the sound of Systematic Chaos but with the missing elements of the Dream Theater sound and, more importantly, song structure added back in. John Petrucci owns this album with his solos, especially The Best Of Times. And Jordan Ruddess, prone to overplaying, reins himself in and plays for the song, not to see how many notes he can squeeze into a bar of music.

That’s not to say the album isn’t technical. It is. But it’s renewed focus on song structure and melody are what makes it work 1000x better than Systematic Chaos did. The only song that falls flat for me is Wither, which just sounds like a dated power-ballad. The Piano version is much better.

I want to specifically mention The Best Of Times which is a song written by Mike Portnoy as a tribute to his father who has recently passed away. Just hearing it for the first time gave me chills (and I even teared up towards the end). The epic guitar solo is one of the best solos I’ve ever heard. Ever. There’s so much emotion and feeling that was poured into the song and it really shows.

#3 – Muse – The Resistance

Muse - The Resistance

This album was a sleeper for me. Released the same day as the latest Porcupine Tree release, I expected it to get passed by as I spent most of my time with The Incident. However…that’s not how it turned out at all.

I loved it on first listen, and every listen after that caused it to grown on me even more. I find it very interesting that Muse is a mainstream band, and yet their sound (especially on this album) has so many progressive rock elements to it. They’re geniuses. They’ve managed to trick the mainstream into listening to prog!

Muse wears their influences on their sleeves on The Resistance, inspired by bands such as U2 and Queen. But instead of a straight up copying of their influences sound, they take it and add to it something that’s uniquely Muse. The United States of Eurasia is clearly Queen inspired, but it’s also very Muse like.

Also they’re not afraid to throw even classical influences into the mix, including the likes of Chopin. Not to mention the Exogenisis Symphony that closes the album. The entire thing feels like it’s Muse sticking it to the entirety of mainstream music, and they’re being embraced for it.

#4 – Long Distance Calling – Avoid The Light

Long Distance Calling - Avoid The Light

This album was also a bit of a surprise for me. I’m not normally one for purely instrumental music as I feel a lot of the time the song structure isn’t interesting enough to really differentiate one song from another. But on a tip from the members of Mike Portnoy.com forums, I went and checked this band out.

What I found was quality instrumental progressive rock, with definite song structure and pacing. They understand how to build a song up from the beginning to a climax and make it interesting. Furthermore, the drumming is really good, probably my favorite part of the album.

It’s not entirely instrumental though, as there’s one song with lyrics which is also enjoyable. The vocalist sounds a lot like the guy from Katatonia, actually.

My only complaint is that it’s a very short album, but I’ll take quality over quantity any day. If you’re a fan of instrumental rock, you own it to yourself to check out these guys.

#5 – Redemption – Snowfall on Judgement Day

Redemption - Snowfall on Judgment Day

Redemption was one of my discoveries from 2007 after seeing them open for Dream Theater in Buffalo, NY. I’ve had my eye on them since. These guys are a progressive metal band fronted by Fate’s Warning’s Ray Alder, backed up by a quality group of players. I really like Ray’s vocals on these releases as I think this type of music fits his style more than Fate’s Warning.

Anyway, this particular release is nothing really new or pushing the boundaries of the genre or even their previous releases. What it is, though, is a rock solid progressive metal album in a genre full of dream theater wanna-be’s who are very much not putting out interesting or quality music. Redemption clearly is influenced by the giants in the Prog Metal field, but they put their own spin on it and make it their own. This album also features some excellent lyrics, another thing that’s hard to find in the Prog Metal genre.

Throw in a track featuring a Duet with James LaBrie of Dream Theater and you’ve got a great album. Don’t mistake me when I say it’s nothing new. It’s still quality material.

Other Releases

6. Porcupine Tree – The Incident
   A solid, if disappointing release from PT. It clicked after seeing it live, but I need to be in a certain frame of mind to really listen to it.
7. Epica – Design Your Universe
   A little too reliant on the growling, but this is one of Epica’s strongest releases Musically yet.
8. 3 – Revisions
   A collection of redone and re-recorded songs from 3′s past, this release is good, but not great. The new version of The Game is a bit dissapointing, but I’m really happy with the rest of the songs.
9. Jordan Ruddess – Notes on A Dream
   Jordan records his own piano versions of several Dream Theater songs. I like his focus on the songs that pre-dated his joining the band. His versions of Another Day and Hollow Years are stellar. I love having this on in the background.
10. OSI – Blood
    The weakest of the OSI releases. Just didn’t grab me like the other ones, but it’s got some good songs too it. I think they tried to be a little TOO heavy and that’s not where OSI shines. The best parts are the more ambient songs like Terminal and Radiologue.
11. Umphrey’s McGee – Mantis
    Part prog, part jam band release. This group was one of my new discoveries this year. Very nice for when I’m in the right mood. Some songs lose me a bit, but the first half of the album is very good.
12. Riverside – Anno Domini High Definition
    An album that’s a lot less dark than their previous efforts. Some good stuff here, but it doesn’t quite capture the magic of Second Life Syndrome. Feels a little too short too.
13. Trans-Siberian Orchestra – Night Castle
    The instrumental parts are awesome. The lyrical songs are terribly, terribly generic. Lots of filler here. Somebody needs to make a TSO lyric generator. It’d be pretty easy. Just throw in lots of children, dreams and people singing “on this night”
14. Scale The Summit – Carving Desert Canyons
    This one is good in small doses, but all of their songs sound very similar after a while.

Honorable Mention

Bigelf – Cheat The Gallows was an album that was released last year, but one which I discovered this year. Take The Beatles, Pink Floyd and a liberal dose of evil and throw them in a blender and you get Bigelf. Really cool retro sounding music with a modern twist. Go see them live for full effect…the studio recordings just don’t capture them adequately.